IRL Hepburn was a tough survivor of famine and a terrible childhood, but her image was definitely managed and manipulated as described. Women in Hollywood do (and did) get slotted into the Madonna/whore thing, because it serves our culture to do so. Great piece, thank you.
Audrey Hepburn was the survivor of severe sustained childhood trauma. Nazi-flavor and family flavor. She rose under impossible circumstances through her own talent -and luck. She used her fame in the service of good.
Other people's projections onto her . . . not her responsibility. Nor accurate.
Find a more deserving target. There are so many. One need not feel deprived.
Her father left when she was 6. At 10, Belgian-born Audrey was sent to the Netherlands. She spent the entirety of WWII in Nazi-occupied Holland. Audrey's uncle Otto was imprisoned and executed by the Nazis. She and her mother (along with the rest of the population) during the war became so hungry they resorted to eating tulip bulbs. She was a volunteer nurse in a hospital treating wounded Allied soldiers. She was a courier for the Resistance, helping families hide Jews. She survived the Battle of Arnhem.
Well, this wasn’t for a man to say, but perhaps a man could applaud it. She is indirectly responsible for the proliferation of manic pixie dream girls on screen. The cornish game hen line is perfect, and I’ve also heard a similar experience described as riding an English bicycle across railroad ties.
Let’s be clear: this essay simultaneously IS and IS NOT about Audrey Hepburn—A.H. (Ahh!! for short). Biographical details notwithstanding, the minute A.H. is equated with Jon-Benet, we enter the wacky world of arbitrary signifiers. Regardless of A.H.’s trauma-turned-charity, like any celebrity she became a cultural symbol—this time one of fetishized virginal femininity. AudreyBenet Hep-Ramsey morphs into a saccharine, animatronic Katie Holmes / Sleeping Beauty whose robotic programming is designed to conquer Earth one coquettish wink at a time.
I would have more fun reading this rollickingly funny and pointed piece if somewhere or other Cintra noted explicitly that what she condemns here is not the actual historical being known as Audrey Hepburn but elements of the image projected in the art in which Audrey Hepburn appeared and the disturbing attitudes toward and role projection for women to which those elements contributed. As other commenters have noted, Audrey Hepburn was a heroic survivor of extreme poverty and Nazi terror who fought for human beings and their fundamental rights both early and late in her life, often at enormous risk and cost to herself. I, too, squirm at the narrowness of the box in which women are urged to shrink themselves to fit, but I can't bring myself to throw shade on that brave and caring woman. There are so many other people more worthy to throw shade on--people who not only model FemBot Life but actively advocate for policies that oppress people.
I so appreciate your points here, and the Pat Nixon rant is priceless. Audrey Hepburn has always struck me as someone women love (not men). To me, the best use of her image/acting is when Gap clothing company paired her dance moves with ACDC’s Back in Black, for a commercial in the 90s, I think? Literally just the other day I thought to myself, “Shouldn’t I or someone pay for my nieces to attend a self-defence course?” (Of course, first you have to ascertain the teacher is not a pedophile! I recall, back in the ‘90s in Texas, being sickened to learn that of the 2,000 applicants for a local popular park-related job, the majority were convicted child molesters.) Republicans do hate women and it sucks that Republican-men-loving women are often supportive of the laws that keep them disempowered. I read online that Tura Satana was raped by a group of men in her hometown and I believe she exacted revenge on every one of them over time?
I like Charade, for that matter. Look out if you go to Japan, though, she’s bigger there than the Virgin Mary is in Mexico. Amazing when you think of it, though with Mickey Rooney playing that rots of ruck Japaneser in Breakfast/Tiffany’s. Makes Sean Connery turning Japanese* in You Only Live Twice look like Naruse!
* everyone knows why that song is called that, yes?
I often wonder if Audrey played the game before "making it". I presume so. It's cheap money. Especially if you have a type. Like being a *real* engenue.
Hi Cintra, not sure I agree. For one thing, I'm not sure she was even responsible for how she was cast on costumed, but if you've actually read Breakfast at Tiffany's, you will probably agree Marilyn Monroe would have made a better choice. Her clothes were always elegant and stylist, if not provocative, certainly better than the chaste dowdiness of many women in comedies of that era, especially on TV. And didn't she devote her later life to charity work?
did you ever watch her in "War and Peace"....i happened to a few months ago trolling Amazon (the winters are looooooong even in south) and her Natasha or Natalia or whatever is no angel in fact her budding sexuality in that film makes up for so much of the other goody 2 shoes you rightfully slice and dice downright annoying in "Breakfast at Tiffanys" too much talking but "Charade" with Cary Grant is a romantic bait and switch that still might coax tears from a hmmmmmm battle-weary pussycat ha but yes even there she carves out her autonomy in a certain flirtatious version of the "fundie voice"
ps when did they start using the term "kinder-whore" its appalling but very funny
IRL Hepburn was a tough survivor of famine and a terrible childhood, but her image was definitely managed and manipulated as described. Women in Hollywood do (and did) get slotted into the Madonna/whore thing, because it serves our culture to do so. Great piece, thank you.
Audrey Hepburn was the survivor of severe sustained childhood trauma. Nazi-flavor and family flavor. She rose under impossible circumstances through her own talent -and luck. She used her fame in the service of good.
Other people's projections onto her . . . not her responsibility. Nor accurate.
Find a more deserving target. There are so many. One need not feel deprived.
Her father left when she was 6. At 10, Belgian-born Audrey was sent to the Netherlands. She spent the entirety of WWII in Nazi-occupied Holland. Audrey's uncle Otto was imprisoned and executed by the Nazis. She and her mother (along with the rest of the population) during the war became so hungry they resorted to eating tulip bulbs. She was a volunteer nurse in a hospital treating wounded Allied soldiers. She was a courier for the Resistance, helping families hide Jews. She survived the Battle of Arnhem.
At the risk of kindling your wrath eternal, I did like “The Nun”…
Well, this wasn’t for a man to say, but perhaps a man could applaud it. She is indirectly responsible for the proliferation of manic pixie dream girls on screen. The cornish game hen line is perfect, and I’ve also heard a similar experience described as riding an English bicycle across railroad ties.
Let’s be clear: this essay simultaneously IS and IS NOT about Audrey Hepburn—A.H. (Ahh!! for short). Biographical details notwithstanding, the minute A.H. is equated with Jon-Benet, we enter the wacky world of arbitrary signifiers. Regardless of A.H.’s trauma-turned-charity, like any celebrity she became a cultural symbol—this time one of fetishized virginal femininity. AudreyBenet Hep-Ramsey morphs into a saccharine, animatronic Katie Holmes / Sleeping Beauty whose robotic programming is designed to conquer Earth one coquettish wink at a time.
I would have more fun reading this rollickingly funny and pointed piece if somewhere or other Cintra noted explicitly that what she condemns here is not the actual historical being known as Audrey Hepburn but elements of the image projected in the art in which Audrey Hepburn appeared and the disturbing attitudes toward and role projection for women to which those elements contributed. As other commenters have noted, Audrey Hepburn was a heroic survivor of extreme poverty and Nazi terror who fought for human beings and their fundamental rights both early and late in her life, often at enormous risk and cost to herself. I, too, squirm at the narrowness of the box in which women are urged to shrink themselves to fit, but I can't bring myself to throw shade on that brave and caring woman. There are so many other people more worthy to throw shade on--people who not only model FemBot Life but actively advocate for policies that oppress people.
I so appreciate your points here, and the Pat Nixon rant is priceless. Audrey Hepburn has always struck me as someone women love (not men). To me, the best use of her image/acting is when Gap clothing company paired her dance moves with ACDC’s Back in Black, for a commercial in the 90s, I think? Literally just the other day I thought to myself, “Shouldn’t I or someone pay for my nieces to attend a self-defence course?” (Of course, first you have to ascertain the teacher is not a pedophile! I recall, back in the ‘90s in Texas, being sickened to learn that of the 2,000 applicants for a local popular park-related job, the majority were convicted child molesters.) Republicans do hate women and it sucks that Republican-men-loving women are often supportive of the laws that keep them disempowered. I read online that Tura Satana was raped by a group of men in her hometown and I believe she exacted revenge on every one of them over time?
As a fan of both Audrey Hepburn and Kill Pussycat, Kill Kill! I enjoyed every word of this essay.
I like Charade, for that matter. Look out if you go to Japan, though, she’s bigger there than the Virgin Mary is in Mexico. Amazing when you think of it, though with Mickey Rooney playing that rots of ruck Japaneser in Breakfast/Tiffany’s. Makes Sean Connery turning Japanese* in You Only Live Twice look like Naruse!
* everyone knows why that song is called that, yes?
On behalf of my mother the jock and my adolescent self, I approve this message. Faberge tetherball, hahahahaHA!
I loved this!!
I often wonder if Audrey played the game before "making it". I presume so. It's cheap money. Especially if you have a type. Like being a *real* engenue.
At the end of The Nun's Story, she leaves the convent and joins the Resistance.
As did the real life person who wrote the autobiographical book on which the film is based.
Hi Cintra, not sure I agree. For one thing, I'm not sure she was even responsible for how she was cast on costumed, but if you've actually read Breakfast at Tiffany's, you will probably agree Marilyn Monroe would have made a better choice. Her clothes were always elegant and stylist, if not provocative, certainly better than the chaste dowdiness of many women in comedies of that era, especially on TV. And didn't she devote her later life to charity work?
did you ever watch her in "War and Peace"....i happened to a few months ago trolling Amazon (the winters are looooooong even in south) and her Natasha or Natalia or whatever is no angel in fact her budding sexuality in that film makes up for so much of the other goody 2 shoes you rightfully slice and dice downright annoying in "Breakfast at Tiffanys" too much talking but "Charade" with Cary Grant is a romantic bait and switch that still might coax tears from a hmmmmmm battle-weary pussycat ha but yes even there she carves out her autonomy in a certain flirtatious version of the "fundie voice"
ps when did they start using the term "kinder-whore" its appalling but very funny